A Midsummer Night's Dream (The Pelican Shakespeare) by William Shakespeare

By William Shakespeare

"I suppose that i've got spent part my occupation with one or one other Pelican Shakespeare in my again pocket. comfort, besides the fact that, is the least vital element of the recent Pelican Shakespeare sequence. this is a sublime and transparent textual content for both the examine or the practice session room, notes the place you would like them and the celebrated scholarship of the final editors, Stephen Orgel and A. R. Braunmuller who take into account that those are performs for functionality in addition to nice texts for contemplation." (Patrick Stewart)

The extraordinary Pelican Shakespeare sequence, which has offered greater than 4 million copies, is now thoroughly revised and repackaged.

Each quantity features:
* Authoritative, trustworthy texts
* top of the range introductions and notes
* New, extra readable alternate trim size
* An essay at the theatrical international of Shakespeare and essays on Shakespeare's lifestyles and the choice of texts

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Extra resources for A Midsummer Night's Dream (The Pelican Shakespeare)

Sample text

Only its vague, sweet, sad, gesturing phrases could do that. A smaller effect of self obliteration occurs once more in the same chapter, when Anne, handed into the carriage by Wentworth, is so emotionally 34 The Cinematic Jane Austen overcome that it is a while “before she was quite awake” to what her companions, the Crofts, are saying: “She then found them talking of ‘Frederick’” (I, 10, 98). This contrasts with the more theatrical moment, later in the novel, when Anne, coming down to breakfast at Bath, catches her sister and her father praising Mrs.

The reader is not asked to visualize the characters, only to recognize their spatial relationships, and the small distances between figures, and to read emotional significance into them. The effect is that dialogues presented directly to the reader in dramatic and quasi-theatrical form acquire a distinct depth and coloring from the assumed presence of a third person, the silent overhearer who is Anne. Meaning does not simply inhere in the dialogues, but in their effect on the overhearer. This is notably the case during the walk to Winthrop in Chapter 10, when hidden by the hedgerow, Anne overhears Wentworth and Louisa talking about her.

Jane Austen is not an especially visual artist. In comparison with the novels of her contemporaries, such as Charlotte Smith, Ann Radcliffe or Walter 1. Jane Austen 37 Scott, for all of whom the appearance of things is the stuff of fascination and romance, Austen’s citations of the visible are just that—citations, indices or outlines to be filled in, or not filled in, by the reader’s imagination. Though much has been written about landscapes, and especially the artificial landscape of the estate, in her books, these descriptive passages remain special occasions, moments when a different modality takes over—if not the less significant for that.

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